#6. Correspondance (a sketchbook) .pdf
Correspondance (a sketchbook) by Joseph F. Keppler. Digital art.
“What can I call this work? Neither painting nor critique yet informed by art, the following are sketches to me. Rather than executed on paper, they’re drawings designed using the pervasive computer. These graphics approach oeuvre subjectively, not as meticulous copies or art history illustrations, but as some poetic efforts. My laptop simply opens a new capacity for thinking about art and drawing it. As studies these are (a)musing tributes as well as appropriate(d) attributes.” —Joseph F. Keppler, from the introduction
“Joseph Keppler shows us what it now means to be literate.” —Jim Andrews, Vispo ~ Langu(im)age
“Allusions to significant works, quotations of style, and adaptations that bring old works to new life.” —Crag Hill, Poetry Scorecard
#5. Six Comets Are Coming .pdfSix Comets Are Coming by Gregory Vincent St. Thomasino. Volume I of the collected works including Go and Go Mirrored, with revised introductions, corrected text and restored original font.
“The closest live experience to these poems would be walking through an international airport, catching snatches of conversation in a number of different languages, ‘understanding’ some of them, simply marveling in the phenomenal beauty of the rest. These poems capture language as it is lived.” —Lewis LaCook, from his review of Go
“It’s an expanding language which develops new meanings and makes comprehensive what can be language placed far from unilateral ways of thinking and representing articulations, relationships but also solitude: the beginning of an open entity, identity, and on the other hand the end of closed identity.” —Florent Fajole, on Go
#4. The Logoclasody Manifesto .pdfGregory Vincent St. Thomasino on logoclasody, logoclastics, eidetics and pannarrativity. Addenda include the Crash Course in Logoclastics, Concrete to Eidetic (on visual poetry) and On Mathematical Poetry.
“As an exegetical object, Logoclasody documents quite brilliantly an ontological crisis in poetry and is, by design, an exemplar both of the problem and the solution. St.Thomasino conceives the central aporia of writing as one of recovering, from the ruin of a necessarily incomplete knowledge, the deep-structure(s) of representation. And by exploiting the tension between grammatical function and the irruptive energies of text itself, the St. Thomasinian program deploys logos as an expressive motif, through which are diffracted both meaning and its contested relationship to language.” —Scott Wilkerson, Columbus State University
#3. Waves .pdfWaves by Márton Koppány. Visual poetry.
“These works are minimalist by design, but should we paraphrase the thought channeled therein, the effect would be encyclopedic, ranging through philosophy, psychology, politics, and the human emotions.” —Gregory Vincent St. Thomasino on Márton Koppány
#2. Mending My Black Sweater .pdfMending My Black Sweater and other poems by Mary Ann Sullivan. Poems of making conscious, of acceptance and of self-remembering, and of personal responsibility.
Gregory Vincent St. Thomasino joins John M. Bennett “In the Bennett Tree.” Collaborative poems, images, an introduction and a full-length critical essay pay homage to American poet John M. Bennett.
E·ratio Editions, a series of elegantly produced, quick loading e-chaps, is reading for poetry, innovative narrative prose, critical and theoretical essays, and digital art. Please see the Contact page for further guidelines and where to send. Query editor with sample.
